I’m an Atlanta based fine art photographer with more than 20 years of experience creating immersive landscape, wildlife, and abstract imagery inspired by the natural world, especially the Arctic. My work focuses on light, atmosphere, and a sense of place, with each piece crafted to bring a timeless sense of depth, calm, and presence into residential and commercial spaces.

"The real voyage of discovery consists not in seeking new landscapes, but in having new eyes."
-Marcel Proust
AFTER THE LAST TIDE  |  A broken pier stands in quiet defiance as light slips through the storm, turning absence into presence along the edge of the sea.
AFTER THE LAST TIDE  |  A broken pier stands in quiet defiance as light slips through the storm, turning absence into presence along the edge of the sea.
WRECK OF THE PETER IREDALE  |  The skeletal remains of the Peter Iredale lean into the sand beneath a turbulent sky, a quiet reminder of time, tide, and the sea’s final claim.
WRECK OF THE PETER IREDALE  |  The skeletal remains of the Peter Iredale lean into the sand beneath a turbulent sky, a quiet reminder of time, tide, and the sea’s final claim.
DREAMING OF ICE  |  A lone polar bear rests on a barren Arctic shore, its white fur glowing softly against the dark stones. In the stillness, there’s both peace and fragility, a quiet reminder of life enduring at the edge of a frozen world.
DREAMING OF ICE  |  A lone polar bear rests on a barren Arctic shore, its white fur glowing softly against the dark stones. In the stillness, there’s both peace and fragility, a quiet reminder of life enduring at the edge of a frozen world.
DREAMING OF ICE  |  A lone polar bear rests on a barren Arctic shore, its white fur glowing softly against the dark stones. In the stillness, there’s both peace and fragility, a quiet reminder of life enduring at the edge of a frozen world.
Receiving a Nominee Award in the 2025 Exposure One Black & White Animal Division means this photograph was recognized among the strongest entries in a highly competitive international field. Nominee status reflects that the image rose to the top tier of submissions based on artistic impact, technical quality, and storytelling, standing among the most compelling animal photographs presented in that year’s Exposure One Awards competition.
​​​​​​​2013 VINCENT VERSACE AWARD FOR PHOTOGRAPHIC EXCELLENCE
FLOATING BEAUTY Captured on the surface of Lady Bird Lake in Austin, this image explores a quiet moment of abstraction found in nature. Delicate grasses drifting just beneath the water created fine textures and repeating patterns that transformed an ordinary scene into something painterly and expressive. Soft movement, layered color, and subtle light create a sense of calm while inviting a closer look at details often overlooked, celebrating the quiet elegance found in nature’s smallest moments.
A prestigious honor presented at the 2013 Photoshop Guru Awards during the Photoshop World Conference in Las Vegas. Named for photographer, educator, and Nikon Ambassador Vincent Versace, the award recognizes exceptional achievement in digital photography and visual storytelling. Selected from more than 500 entries, it reflects a high level of artistic vision, technical skill, and creative impact as judged by leaders in the professional photography and imaging community.
IN CONVERSATION | An interview with CanvasRebel Stories & Insights, March 22, 2026 

Meet Doug Sturgess

Bank of America Plaza Exhibit

​​​​​​​Doug, looking forward to hearing all of your stories today. What’s been the most meaningful project you’ve worked on?  
Spending ten days in the High Arctic, surrounded by silence, ice, and wildlife, stripped everything down to what really matters. My trip to Svalbard was not just another photography expedition. It felt like something I had been building toward for years. Photographing polar bears, walrus, seals, and endless glacial landscapes was extraordinary, but what impacted me most was the immersion. I was not just capturing images. I was fully present in an environment that demanded patience, awareness, and respect.
Part of what drew me there was a desire to photograph one of the world’s disappearing places before it changes beyond recognition. The Arctic is shifting quickly. Glaciers are retreating, sea ice patterns are changing, and habitats are under pressure. I felt a responsibility to witness it now, to stand in that landscape while it still carries the weight of its ancient ice, and to create photographs that preserve a visual record of this moment in time. For me, Svalbard was about more than beauty. It was about bearing witness and honoring a fragile place that may not look the same for future generations.
The Arctic light, the scale of the ice, the stillness, and the unpredictability pushed me creatively and personally. It reminded me why I do this. Not simply to make beautiful photographs, but to experience something rare and translate that experience into art that allows others to feel it. Svalbard expanded my perspective and strengthened my commitment to creating work that reflects both the power and vulnerability of the natural world. 
CENTENNIAL PARK INSTALLATION | COMMERCE CLUB, ATLANTA
CENTENNIAL PARK INSTALLATION | COMMERCE CLUB, ATLANTA
ARCTIC EMPRESS PRE-INSTALL | 8' WIDE & FLOAT-FRAMED
ARCTIC EMPRESS PRE-INSTALL | 8' WIDE & FLOAT-FRAMED
Great, appreciate you sharing that with us. Before we ask you to share more of your insights, can you take a moment to introduce yourself and how you got to where you are today to our readers?
I am Doug Sturgess, an independent fine art photographer based in Atlanta. I have been a mostly self-taught photographer for more than twenty years. What began as curiosity about light and landscape gradually became a disciplined pursuit of creating images that elevate the spaces people live and work in. Photography allows me to slow down, to observe carefully, and to translate what I see into something lasting. Over time it evolved from a passion into a serious artistic practice.
My work focuses primarily on powerful natural environments, Arctic regions, Western landscapes, architectural moments, and quiet abstract scenes found in both urban and remote places. I am especially drawn to locations that feel timeless or fragile, including the High Arctic including Iceland, Greenland & Svalbard. Much of my recent work has centered on documenting wild and disappearing places, particularly in polar regions, where the landscape is changing at a rapid pace. I feel a responsibility to witness and preserve these environments visually while they still exist in their current form.
I create museum quality fine art prints in acrylic, metal, and canvas, often in large scale formats designed to anchor a room. My collectors include private homeowners, corporate offices, healthcare spaces, and designers seeking statement pieces that evoke calm, strength, or reflection. Beyond simply selling artwork, I help clients solve the challenge of transforming blank walls into meaningful focal points. The right image can shift the mood of a space, introduce depth and color, and create a sense of connection to the natural world. I work closely with designers and collectors to ensure scale, material, and subject align with the feeling they want the room to convey.
What sets me apart is the combination of technical precision and emotional intention. I am meticulous about print quality, color accuracy, and presentation. Many of my images come from immersive experiences in demanding conditions, whether that is photographing polar bears in Svalbard, standing on frozen lakes in Canada, or waiting for the exact alignment of light between buildings in a city. I do not chase volume. I focus on creating a curated body of work that reflects both craft and authenticity.
What I am most proud of is building a body of work that feels cohesive and honest. I am proud that my art lives in homes and professional spaces where people see it every day and find something new in it over time. I am also proud that I have stayed true to my vision, continually pushing myself to travel farther, wait longer, and refine my eye.
For those discovering my work for the first time, I want them to know that every image represents an experience. I am not just capturing scenery. I am translating a moment in time and inviting the viewer into it. My mission is simple. To make the world look more beautiful through the lens and to create art that brings the power, serenity, and wonder of extraordinary places into everyday life.
DREAMS OF ICE | 2025 EXPOSURE ONE AWARD NOMINEE
DREAMS OF ICE | 2025 EXPOSURE ONE AWARD NOMINEE
THE QUIET HUNT
THE QUIET HUNT
Can you share a story from your journey that illustrates your resilience?
One of the most powerful moments in my journey as a photographer was standing on the deck of the MS Virgo in Svalbard, knowing we were not just near the polar ice cap, but actually parked in it. For two full days we were surrounded by sea ice stretching in every direction, a landscape so vast and silent it felt almost otherworldly. As someone who has long been drawn to remote and fragile environments, I felt deeply honored just to witness that expanse of ice with my own eyes.
What made it even more extraordinary was the polar bear that came to see us. There is no other way to describe it. We were the visitors in that environment, and this magnificent animal moved through its natural world with quiet confidence and purpose. Watching it against the backdrop of ancient ice was humbling. It was not a staged encounter or a distant sighting. It was an authentic moment in one of the most remote places on Earth.
That experience reinforced why I do this work. Being present in the Arctic, especially in a region that is changing so rapidly, felt like both a privilege and a responsibility. To stand there, to witness that bear in its habitat, and to document that moment before these landscapes continue to shift, was something I will carry with me for the rest of my life.
THE CASUAL KING
THE CASUAL KING
CRIMSON PASSAGE
CRIMSON PASSAGE
What do you find most rewarding about being a creative?
The most rewarding aspect of being an artist for me is knowing that something I experienced in a fleeting moment can live on in a tangible way for someone else. I may stand in the Arctic cold watching a polar bear cross the ice or wait for the exact alignment of light between buildings in a city, and that moment lasts seconds. But when it becomes a finished print and finds its way into someone’s home or office, it takes on a new life. It becomes part of their daily experience.
I also find deep fulfillment in the process itself. The patience, the discipline, the pursuit of better light, better composition, better printing. It pushes me to grow continuously. There is something incredibly meaningful about translating the beauty and fragility of the natural world into art that can ground a space, calm a room, or spark conversation.
Ultimately, the greatest reward is connection. When someone tells me they feel transported by one of my images or that it changes the mood of their space, that is everything. It confirms that the long travel days, the harsh weather, and the meticulous attention to detail were all worth it.
Back to Top